Abstract
This article explores the role of widely circulated images of Afghan people in building public support for the 2001-2002 U.S. war with Afghanistan. Emphasizing images of women, I argue that these representations participate in the more general category of "the clash of civilizations," which constitutes a verbal and a visual ideograph linked to the idea of the "white man's burden." Through the construction of binary oppositions of self and Other, the evocation of a paternalistic stance toward the women of Afghanistan, and the figuration of modernity as liberation, these images participate in a set of justifications for war that contradicts the actual motives for the war. These contradictions have a number of implications for democratic deliberation and public life during wartime.
Original language | English (US) |
---|---|
Pages (from-to) | 285-306 |
Number of pages | 22 |
Journal | Quarterly Journal of Speech |
Volume | 90 |
Issue number | 3 |
DOIs | |
State | Published - Aug 2004 |
Externally published | Yes |
Keywords
- Afghanistan
- Clash of Civilizations
- Ideograph
- Image
- Imperialism
- Photojournalism
- Terrorism
- Visual Rhetoric
- War
- White Man's Burden
- Women
ASJC Scopus subject areas
- Communication
- Language and Linguistics
- Education