@article{7a777acf31114837bd6f92fddb4a6da1,
title = "Sexless spirits?: Gender ideology and Dryden's musical magic",
author = "Winkler, {Amanda Eubanks}",
note = "Funding Information: Amanda Eubanks Winkler is an Associate Professor and Chair in the Department of Art & Music Histories at Syracuse University, specializing in English theater music of the seventeenth and eighteenth centuries. Her articles have appeared in Cambridge Opera Journal and the Journal of Musicology. Her critical edition of Music for Macbeth was published by A-R Editions (2004) and she is currently one of the general editors, with Kathyrn Lowerre and Michael Burden, of the Collected Works of John Eccles, to be published by A-R Editions. In 2001, Winkler was awarded a long-term fellowship, funded by the NEH, to pursue research at the Folger Shakespeare Library. The resulting book, O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic and the Mad on the Seventeenth-Century English Stage, was published by Indiana University Press in 2006. Email:
[email protected] Versions of this paper were given at the Society for Seventeenth-Century Music Conference, University of South Dakota (2000), and Restoring Dryden: Music, Translation, Print, University of Rochester (2008). This article has been strengthened by the comments of colleagues at both these conferences, as well as the readers for Musical Quarterly. The author also wishes to thank Stephen Meyer, Ralph Locke, and Rose Pruiksma for their careful assessment of her work.",
year = "2010",
doi = "10.1093/musqtl/gdq010",
language = "English (US)",
volume = "93",
pages = "297--328",
journal = "Musical Quarterly",
issn = "0027-4631",
publisher = "Oxford University Press",
number = "2",
}