Royal Madness and Exotic Desire: Masterworks by Mozart and Handel from Glyndebourne Opera Festival

Research output: Contribution to journalArticle

Abstract

Essay on "Die Entfuhrung aus dem Serail" by W.A. Mozart and "Saul" by Georg Frideric Handel in two Glyndebourne Opera productions available on video
Original languageEnglish (US)
Article numberDOI: For additional information about this article Access provided by Syracuse University (5 Jul 2017 18:37 GMT) https://doi.org/10.1353/thr.2017.0058
Pages (from-to)296-302
JournalThe Hopkins Review, The Johns Hopkins University Press
Volume10
Issue number2
DOIs
StatePublished - 2017

Keywords

  • Opera
  • Classical Music
  • Music Criticism
  • Mozart
  • Handel
  • Glyndebourne
  • John Christie
  • Audrey Mildmay
  • Bayreuh
  • Fritz Busch
  • Rudolf Bing
  • Glyndebourne Opera
  • London Philharmonic Orchestra
  • Die Entfuhrung
  • Saul
  • Handel Saul
  • oratorio
  • Johann Gottlieb Stephanie
  • Burgtheater
  • Habsburg
  • Emperor Joseph II
  • Singspiel
  • Shristoph Friedrich Bretzner
  • comedie larmoyante
  • Ottoman Empire
  • John Dexter
  • Calixto Bieito
  • Quentin Tarantino
  • David McVicar
  • Opus Arte
  • ECM
  • Franck Saurel
  • Sally Matthews
  • Marten aller Arten
  • Edgaras Montvidas
  • Tobias Kehrer
  • Mari Eriksmoen
  • Brenden Gunnell
  • Orchestra of the Age of Enlightenmen
  • Robin Ticciati
  • Paule Constable
  • Peter Schaffer
  • Schaffer Amadeus
  • too many notes
  • Barrie Kosky
  • Peter Sellars
  • George Frideric Handel
  • oratorio staged
  • Berlin Komische Oper
  • Charles Jennens
  • Istyn Davies
  • Ivor Bolton
  • Paul Appleby
  • Lucy Crowe
  • Sophie Bevan
  • Benjamin Hulett
  • Otto Pichler
  • Katrin Lea Tag

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