Abstract
Essay on "Die Entfuhrung aus dem Serail" by W.A. Mozart and "Saul" by Georg Frideric Handel in two Glyndebourne Opera productions available on video
Original language | English (US) |
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Article number | DOI: For additional information about this article Access provided by Syracuse University (5 Jul 2017 18:37 GMT) https://doi.org/10.1353/thr.2017.0058 |
Pages (from-to) | 296-302 |
Journal | The Hopkins Review, The Johns Hopkins University Press |
Volume | 10 |
Issue number | 2 |
DOIs | |
State | Published - 2017 |
Keywords
- Opera
- Classical Music
- Music Criticism
- Mozart
- Handel
- Glyndebourne
- John Christie
- Audrey Mildmay
- Bayreuh
- Fritz Busch
- Rudolf Bing
- Glyndebourne Opera
- London Philharmonic Orchestra
- Die Entfuhrung
- Saul
- Handel Saul
- oratorio
- Johann Gottlieb Stephanie
- Burgtheater
- Habsburg
- Emperor Joseph II
- Singspiel
- Shristoph Friedrich Bretzner
- comedie larmoyante
- Ottoman Empire
- John Dexter
- Calixto Bieito
- Quentin Tarantino
- David McVicar
- Opus Arte
- ECM
- Franck Saurel
- Sally Matthews
- Marten aller Arten
- Edgaras Montvidas
- Tobias Kehrer
- Mari Eriksmoen
- Brenden Gunnell
- Orchestra of the Age of Enlightenmen
- Robin Ticciati
- Paule Constable
- Peter Schaffer
- Schaffer Amadeus
- too many notes
- Barrie Kosky
- Peter Sellars
- George Frideric Handel
- oratorio staged
- Berlin Komische Oper
- Charles Jennens
- Istyn Davies
- Ivor Bolton
- Paul Appleby
- Lucy Crowe
- Sophie Bevan
- Benjamin Hulett
- Otto Pichler
- Katrin Lea Tag