Music From Japan Festival 2016: The Koan of Neo-Japonism

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Abstract

Essay exploring cultural anxiety and identity in contemporary music in Japan, as evidenced in the February 2016 Japanese music festival in New York.
Original languageEnglish (US)
Article numberDOI: 10.1353
Pages (from-to)405
Number of pages414
JournalThe Hopkins Review, The Johns Hopkins University Press
Volume9
Issue number3
DOIs
StatePublished - Jul 2016

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Cultural Identity
Contemporary music
Music
Japan
Cultural Anxiety
Japan Festival
Music Festival

Keywords

  • Jaoan
  • Japanese music
  • Music
  • Classical music
  • Contemporary music
  • Japanese Contemporary Music
  • Music From Japan
  • kokutai
  • Naoyuki Miura
  • Mari Ono
  • Misato Mchiquki
  • Hiroyuki Yamamoto
  • Haruyuki Suzuki
  • Carl Stone
  • Richard Teitelbaum
  • Music Critics Association of North America
  • Nancy Malitz
  • Yuji Numano
  • Neo-japonism
  • Toru Takemitsu
  • Akiro Kurosawa
  • Makoto Moroi
  • Kenji Mizoguchi
  • Metropolitan Museum
  • Hane Mori
  • Isamu Noguchi
  • Spectralism
  • Magnus Lindberg
  • Pascal Dusapin
  • Kaija Saariaho
  • Paul Auster
  • Luigi Nono
  • koto
  • sho
  • Toho Gakuen School
  • Varese
  • Berio
  • Boulez
  • quotation in music
  • rhetorical memesis
  • Umberto Eco
  • koan

Cite this

Music From Japan Festival 2016 : The Koan of Neo-Japonism. / Keller, Johanna.

In: The Hopkins Review, The Johns Hopkins University Press, Vol. 9, No. 3, DOI: 10.1353, 07.2016, p. 405.

Research output: Contribution to journalArticle

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