Abstract
Essay exploring cultural anxiety and identity in contemporary music in Japan, as evidenced in the February 2016 Japanese music festival in New York.
Original language | English (US) |
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Article number | DOI: 10.1353 |
Pages (from-to) | 405 |
Number of pages | 414 |
Journal | The Hopkins Review, The Johns Hopkins University Press |
Volume | 9 |
Issue number | 3 |
DOIs | |
State | Published - Jul 2016 |
Keywords
- Jaoan
- Japanese music
- Music
- Classical music
- Contemporary music
- Japanese Contemporary Music
- Music From Japan
- kokutai
- Naoyuki Miura
- Mari Ono
- Misato Mchiquki
- Hiroyuki Yamamoto
- Haruyuki Suzuki
- Carl Stone
- Richard Teitelbaum
- Music Critics Association of North America
- Nancy Malitz
- Yuji Numano
- Neo-japonism
- Toru Takemitsu
- Akiro Kurosawa
- Makoto Moroi
- Kenji Mizoguchi
- Metropolitan Museum
- Hane Mori
- Isamu Noguchi
- Spectralism
- Magnus Lindberg
- Pascal Dusapin
- Kaija Saariaho
- Paul Auster
- Luigi Nono
- koto
- sho
- Toho Gakuen School
- Varese
- Berio
- Boulez
- quotation in music
- rhetorical memesis
- Umberto Eco
- koan