Abstract
Contemporary culture finds human experience spread across various digital and physical spaces. Although many scholars embrace derivative perspectives of a distributed self—dramaturgical, multiphrenic, networked—these notions are seldom engaged as empirically testable theories. This article proposes a theoretical model to foster such empirical examination, in which the “self” is not engaged as a node in broader social networks, but taken as a network itself. That is, the self is reframed as a subjectively experienced network of identities that are, themselves, complex assemblages of many different kinds of objects. In this way, the binaries of me/not-me, human/nonhuman, material/immaterial, and digital/physical are unraveled in favor of more precisely identified interrelated agents giving rise to the Self across digital and physical contexts.
Original language | English (US) |
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Pages (from-to) | 419-438 |
Number of pages | 20 |
Journal | New Media and Society |
Volume | 19 |
Issue number | 3 |
DOIs | |
State | Published - Mar 1 2017 |
Externally published | Yes |
Keywords
- Actor-networks
- identity
- multiphrenia
- multiplicity
- networked self
- postmodernity
- self
ASJC Scopus subject areas
- Communication
- Sociology and Political Science