Beyond being (t)here: The social and personal implications of making music at a distance

David James, Jeffrey Stanton

Research output: Chapter in Book/Entry/PoemConference contribution

1 Scopus citations

Abstract

This literature review discusses the social phenomena that surround and affect the process of making music with a distant collaborator, and probes future directions for this area known as "computer supported collaborative music" [3]. Articles were sampled by searching the SCOPUS, EBSCOHOST, IIMP, ACM Digital Library and Google Scholar for abstracts that included the keywords "collaborative music" or "networked music". From this group of article the author highlights studies that have reported factors that altered the experience of collaborative composition. Preliminary results indicate that novices to music composition can use metaphors, (present in tools that do not replicate face to face interaction) to compose pieces with others without formal music training.

Original languageEnglish (US)
Title of host publicationProceedings of the 2011 iConference
Subtitle of host publicationInspiration, Integrity, and Intrepidity, iConference 2011
Pages686-687
Number of pages2
DOIs
StatePublished - 2011
Event6th Annual Conference on 2011 iConference: Inspiration, Integrity, and Intrepidity, iConference 2011 - Seattle, WA, United States
Duration: Feb 8 2011Feb 11 2011

Publication series

NameACM International Conference Proceeding Series

Other

Other6th Annual Conference on 2011 iConference: Inspiration, Integrity, and Intrepidity, iConference 2011
Country/TerritoryUnited States
CitySeattle, WA
Period2/8/112/11/11

Keywords

  • Collaborative music
  • Computer supported collaborative work
  • Networked music

ASJC Scopus subject areas

  • Software
  • Human-Computer Interaction
  • Computer Vision and Pattern Recognition
  • Computer Networks and Communications

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